2000 Spring Exhibitions: Group 2
CCS Bard Galleries
The spring exhibitions at the Center for Curatorial Studies include ten exhibitions shown in two groups curated by second-year students in the Center’s graduate program in curatorial studies and contemporary art. The students have organized these exhibitions as part of their final master’s degree thesis.
Online projects and a forum by ®™ark, Mark Napier, and M. River & T. Whid Art Associates investigate art and commerce, artistic practice, and curatorial role. From April 30 at www.artnetweb.com/protocol
Works by Jennifer Allora and Guillermo Calzadilla, Art Club 2000, Miguel Calderón, and Fran Ilich explore social formations and group identification, with a brochure by Gerardo Ortíz-Moreno.
Installations by Hey-Yeun Jang and Daisuke Nakayama examine the dislocation and longing of immigrants.
Works by Candice Breitz, Moshekwa Langa, Julia Mehretu, and Fatima Tuggar revise narratives of self-identity and cultural difference.
Two new projects by Carlos Amorales and Christine Hill start from small-group discussions about self-presentation.
Works from the 1960s and 1970s by Bill Anastasi, Sol LeWitt, Robert Morris, Dorothea Rockburne, and Fred Sandback explore modes of drawing as process and materiality.